The Stonehenge Perspective on Henging, Part 2: Simon Banton, Continued

Simon Banton and a rook at an undisclosed location, photo by Wendy Pallesen or perhaps Carol Druce

“…there’s something about the trilithon form that aches with antiquity and latent symbolism.”

Here is the second half of our interview with Stonehenge man Simon Banton.

5) Why do you think so many people continue to make Stonehenges of all sizes and materials all over the world?

The act of creation lies deep within most of us, and creating a clonehenge seems to foster a deep sense of satisfaction. It has the huge advantage of being instantly recognisable, so no special talent is required. I can’t draw for toffee, but you were kind enough to feature my Etch-a-Sketched clonehenge [see previous post] even though it was 2D. There’s also the growing awareness that there’s a community of clonehengers, and I guess a desire to belong to this elite club must factor in somewhere.

[Editor’s note: You, too, can belong to an elite club!]

6) Why do you think Stonehenge models and replicas so often wind up being an assemblage of trilithons rather than being more like Stonehenge? Why is the trilithon such a powerful and memorable symbol?

That is a very significant question. There’s no doubt that “two uprights and one horizontal” is immediately Stonehenge and it’s been a famous icon in the public’s attention for at least 300 years now. From the standalone pylons of Egyptian temples, through the Temple of the Sun at Tiwanaku to the Greek letter PI [Editor’s note: one could add the Japanese Torii gate and Tonga’s Ha’amonga’a Maui Trilithon.] there’s something about the trilithon form that aches with antiquity and latent symbolism.

Perhaps it’s the “doorways upon doorways” meme that Henry of Huntingdon came up with in the early 12th Century AD [Editor’s note: English scholar Henry of Huntington wrote in 1130, describing Stonehenge as a place “where stones of an amazing size are set up in the manner of doorways, so that one door seems to be set upon another. Nor can anyone guess by what means so many stones were raised so high, or why they were built there.”]  that’s the root of it for our culture, or maybe Spinal Tap have had a fundamental impact on humanity that will echo down the ages.

I also think that the idea of a continuous “ring beam” [Editor: Simon is using the term “ring beam” here to refer to the continuous circle of curved lintels that is thought to have topped the upright sarsens of Stonehenge’s outer circle.] doesn’t figure in many people’s consciousness, so they end up doing a ring of separate trilithons instead.

7) Is there anything you would like to say about Stonehenge replicas? Do you have any stories connected with one that you would like to share?

More full size ones please! I realise that’s a big ask, but perhaps it’s something for an ice sculpture festival to tackle. I’ve had a small involvement with one full size trilithon replica with my friends Tim Daw and Julian Richards. Julian’s an archaeologist and Stonehenge obsessive. Back in the 1990s he made a TV documentary called “Secrets of Lost Empires” where he and a team of engineers and volunteers attempted—successfully —to erect two 40 ton concrete uprights and a 10 ton lintel as a replica of the tallest trilithon that ever stood at Stonehenge.

After the programme, the components were dismantled and stored on a nearby military base, in a car park, until a few years ago when the army rang him up and asked if he wanted them back as they were getting in the way of their tanks. Julian asked me if I knew anyone who had some land where they might be moved to, and perhaps re-erected in a new project—and I immediately thought of Tim.

Tim’s a visionary. He built the first new “long barrow”, as a columbarium, in 5,500 years and has spawned an industry of modern barrow-makers as a result. [see Clonehenge’s post on the Long Barrow at All Cannings here] He jumped at the chance and these large lumps of concrete were low-loaded from the military base to Tim’s farm, where they await the attention of an intrepid bunch of Stonehengineers. [see Clonehenge’s post about the rediscovery and moving to Tim’s farm of the pieces of the concrete trilithon here]

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photos of the parts of the concrete trilithon at rest on Cannings Cross Farm

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Stonehengineers, those who helped erect the concrete trilithon the first time

8) Is there anything you think more people should know about Stonehenge itself?

Everyone who’s interested in the astronomy of the site should read Gordon Freeman’s “Hidden Stonehenge”—not least because he is one of the few archaeoastronomer researchers who actually spent considerable time on-site observing and photographing at key points in the year, over many years. He identified a secondary solstitial axis that runs from Winter Sunrise to Summer Sunset and explains why the Altar Stone is (a) flat on the ground and (b) at 80° to the primary axis. I helped Gordon confirm some of his observation data and had the pleasure of meeting him a few years ago.

More generally, the most recent research is suggesting that the society responsible for Stonehenge’s construction was almost completely eradicated by an incoming population from the Continent in the early Bronze Age. If this is true, then we have—in Britain—no direct ancestral connection to the builders of it. That’s something of a shock, as Stonehenge is a touchstone of British identity. The argument about the DNA evidence from early Beaker graves that suggests this is likely to get quite heated.

9) Do you have any advice for hengers?

If you’re going for realism, don’t forget the Heel Stone, the Slaughter Stone, the Station Stones and the Altar Stone. Note that the central trilithons increase in height towards the southwest and they’re all taller than the sarsen circle that surrounds them. If you’re going to include figures in the middle, make them archaeologists having a fight and—above all—think BIG and have fun! (Hengers, take heed!)

10) Do you have any advice for Clonehenge itself?

Frankly, I don’t think it could be any better. [!!!] Except, maybe—Clonehenge merchandise? I feel the need to make a Clonehenge out of Clonehenge coffee mugs—or is that too much like meta-henging?

[Editor: Not at all. Plus, meta-henging is a good thing! 😉 We will be working to make Clonehenge mugs and perhaps eventually other merchandise available from print-on-demand sites in both in the UK and the States, so that neither place will have to pay exorbitant postal fees, hopefully some time in the near future.]

Thank you very much, Simon! Thus ends our two-part interview with the illustrious Stonehenge devotee. We hope you have enjoyed it and perhaps learned something! You can find the first part of the interview here. We should note with gratitude that upon the occasion of our visit to Stonehenge in 2015, Simon went out of his way to meet us there and give us a calendar with his own photos of Stonehenge. We were quite honoured!

Gentle Readers: Do you have questions about Stonehenge or about Stonehenge replicas in any form? If you have a question that is in any way connected to our topic, get in touch on Facebook or Twitter, or leave a comment below, and we will answer or get in touch with someone who can answer your questions. We will also consider requests for posts on related topics.

And of course, until next time, friends, happy henging!

The Stonehenge Perspective on Henging, Part 1: Introducing Simon Banton!

Above: Simon Banton at that famous pile of rocks:

You can notice a lot of subtleties about Stonehenge if you spend 6 years looking at it from all angles in all weathers and lighting conditions.”

It may seem to go without saying that the idea of Stonehenge replicas is inextricably tied to Stonehenge, but we’ve been thinking it needs a little more talking about. What do all these Stonehenge replicas look like to people who are actually familiar with Stonehenge?

Well, a peculiar outcome of doing Clonehenge over the years has been the unexpected pleasure of getting to know a number of people who are connected with Stonehenge in one manner or another. Those people have made us aware of aspects of Stonehenge and its landscape that we knew nothing of before we began this blog and our life of folly. That, in turn, has changed what we see and look for in Stonehenge replicas.img_0552

It is in this context we would like to introduce to you Mr. Simon Banton. A few readers may remember him as the fellow who when he found himself at a pub that had children’s toys, made and sent us some Clonehenge art on an Etch-A-Sketch (How do we love this? Let us count the ways!).

But there is a great deal more to him than that, as the photo at the top suggests. He is good natured and deeply knowledgable and has two blogs, The Stones of Stonehenge, with a page devoted to each stone at Stonehenge, and Stonehenge Monument, with information about Stonehenge and the surrounding landscape of the World Heritage Site. We asked him for an interview, and to our delight he agreed. The result is remarkable, if a bit technical in places. We intended to post only a short edit of the interview, but it is so full of information and good thoughts, stories, and ideas that we’ve decided to post most of it, split into two parts, with helpful (we hope) commentary, links, and photos added.

A note to start, because this will come up:

As some will know, there is a commonly agreed-upon numbering system for the stones at Stonehenge. For example, this trilithon, originally part of the outer circle so it would have supported the ends of two more lintels, shows upright stones 4 and 5 plus the lintel, which is 105.
4 5 105(Just ignore the show-off bustard. Apparently bird tourists are permitted inside the circle of the ditch and bank, unlike the rest of us that day. Not fair, but as they say, what is?)
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Stonehenge numbered stone plan by Author ©Anthony Johnson 2008

The plan on the right, showing numbers for each stone, is linked to a larger version. And now, the first part of our interview with Simon:

1) First, for the reader, what has been your involvement with Stonehenge over the years? I understand you worked there. For how long and in what capacity?

I first saw Stonehenge when I went to the very last Stonehenge Free Festival in 1984, before the authorities clamped down on it at the infamous Battle of the Beanfield of 1985 (Google it and watch the YouTube vids). Being in and around the monument had a profound effect on me, at the time I was only 19 years old.

When, in 2000, English Heritage, the Police and Wiltshire Council did away with the 3 mile radius exclusion zone that had been in place at Summer Solstice ever since 1985, I felt compelled to go along to that first “Managed Open Access” event to get back inside the stone circle. That, too, was a transformative experience. It poured with rain all night long and 5000 people were thoroughly soaked by the time dawn arrived, with no sign of the Sunrise.

I’d developed a keen interest in archaeoastronomy in the mid-1990s (I’ve been an amateur astronomer since I was 9 years old) and I was actively researching Egyptian sky-mythology. Stonehenge was the next logical step. By 2010 I’d moved to within 3 miles of Stonehenge and I became an Education Volunteer for English Heritage… Within a couple of months this turned into a job as a member of the Visitor Operations Team, standing on the path next to the stones and getting paid for telling people about the place. I did this for 6 years and loved it – it gave me unprecedented levels of access to the stone circle and allowed me to carry out my own research. You can notice a lot of subtleties about Stonehenge if you spend 6 years looking at it from all angles in all weathers and lighting conditions.

2) How many Stonehenge models or replicas do you own, if any?

I have a bronzed resin cast model of Stones 4, 5 and 105 that is 8″ high and mounted on a plinth that reads “It’s smaller than I imagined”. I helped a local firm with their project to Stonehenge modelcreate these casts as souvenirs to sell in their shop in Amesbury and they gave me a prototype as a thank you. Stone 5 is the one with the large yellow lichen “DI” lettering that’s visible on its eastern face, a remnant of the RADIO CAROLINE graffiti from the 1960s.

I’ve also got a 1′ high x 2′ wide beaten metal and weld sculptural picture of the monument, done by my friend Michelle Topps of Horseshoes4Hounds (https://www.facebook.com/horseshoes4hounds). Both are utterly unique – I don’t go for snowglobes and the like!
Stonehenge weld picture

[Editor’s note: This is Quite a Nice Thing! Also—a reminder to our readers that opinions of  an interviewee are not necessarily the opinions of the interviewer. We love snowglobes and it’s not too late to send us one!]

3) How many ‘clonehenges’ have you made, if any, and what were the materials?

I’ve done one out of bricks (hasn’t everyone?) Teahengebut these bricks were the ones that used to line the edge of the visitor path around the monument, and I acquired them when they were torn up as part of the refurbishing of the path back in 2013. I did once make a trilithon out of snow, which is a whole lot trickier than you’d think, and then there was the 5-minute “boxes-of-herbal-tea-henge”, which was a joint effort with other members of the Stonehenge staff when management somewhat over-ordered one day 🙂

4) What do you find amusing, irritating, or remarkable about Stonehenge models or replicas you’ve seen? Do any in particular stand out, whether as good, bad, funny, or impressive? Do you have a favourite?

I’m always amused by the lengths people will go to to henge things – but I feel vaguely sad when no attempt is made to make something recognisably close to the original in any way. There’s more to a good clonehenge than that.

Screen Shot 2018-03-24 at 9.31.48 AMIt also irritates me when the models that English Heritage sell have glaring errors. Don’t get me started on the large models in the exhibition at the Visitor Centre – the Station Stones are so out of whack that “rectangle” is the last word you’d use to describe their arrangement! They also forgot to include the Altar Stone when the models were first made, and when they did finally add them in, they glued them down at 90° to the primary solstitial axis instead of the correct 80° – that really grinds my gears, because the 80° angle is fundamental to the design of the monument. [Editor’s note: The plan above and to the left shows the rectangle formed by the Station Stones at Stonehenge. The rectangle formed by these stones is considered important by some because, along with the alignments of these and other stones, it may be part of the reason Stonehenge was built where it is.]

29570597_10155564264413022_4968747390063919463_nThe most impressive has got to be Deller’s “Sacrilege” [Editor: the famous inflatable Stonehenge that toured a few years ago. In this we do not disagree!]. Even though it doesn’t have all the stones, it has just enough of them, done accurately enough that it’s unmistakably close to the real thing. And it’s enormous fun to bounce on. [Editor: On the left, or above, depending on the device you’re using to see this, is a photo of Deller’s bouncy Stonehenge with Simon on the right and English Heritage archaeologist Dave Field on the left. Photo by and with permission of the fabulous Pete Glastonbury.]

My favourite is the one at Esperance, Australia. Although I’ve not seen it in person, I love that it’s a close replica made of actual stone and that it’s correctly rotated 180° from the prototype [Editor: because of its location in the Southern Hemisphere]. It’ll last as long as the original and baffle future archaeologists. •

We end the first part of our interview with Simon Banton here. There’s plenty of information to digest. His opinions about why so many people make Stonehenges, what he would like to see in them, and other advice for hengers, as well as a little advice for Clonehenge itself, are ahead in the next part of the interview. Be sure to tune in!

And until next time, of course, happy henging!

Happy Solstice! A Long Post for the Longest Day!

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The famous Britton “Celtic” Cabinet at the Wiltshire Museum in Devizes

Greetings and a very happy solstice to all of you out there in the increasingly strange world of now! We know that people generally don’t find time to read blog posts anymore, what with one apocalypse or another looming at any given moment, but in a contrary spirit we have decided to write a longer one than usual. But with pictures, so there’s that!

As some of you may know, a little over a year ago, the entire staff of the Clonehenge blog flew over the sea to the centre of henging contagion, that hulking grey pile of construction debris on Salisbury Plain, Stonehenge itself. We posted in October about the unabashed promotion of Stonehenge replicas we discovered at the shop in the Stonehenge Visitor Centre, but we have yet to share our other extraordinary encounters with replicas shown us by friends of the Clonehenge blog in the area.

The first of these was a huge concrete trilithon, currently being stored at the farm of Mr. Tim Daw  whose name may be familiar to Stonehenge fans as a result of theories and discoveries he made while employed at Stonehenge. He is also known for his remarkable construction, the Long Barrow at Al Cannings. He kindly treated us to a tour of that beautiful modern long barrow, and then, knowing our interests, led us through chalk mud, a remarkably clingy substance, to the three pieces of the trilithon, currently not set up as a trilithon but in repose. The two uprights, we are told, weigh 40 Tonnes each and the lintel 10 and a half!

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concrete trilithon in the Vale of Pewsy (the markings are not tribal, 😉  but were painted there for visibility on the lorry journey to where they now rest)

These “stones” were used in the 1996 BBC documentary Secrets of Lost Empires: Stonehenge to to represent the stones of Stonehenge’s largest trilithon, in an attempt to demonstrate how those and the other large stones at Stonehenge may have been moved. We assume their length includes the section that in the original stones extended underground to keep them steady and upright. Pictures on this page show their size better than our poor picture above. They are imposing in person, even lying down. Mr. Daw and others are hoping to use them again to test various Stone-Age-appropriate methods for transporting and erecting megaliths, for a programme on how Stonehenge may have been constructed. We look forward to that!

For the next couple days of our trip, we enjoyed the wonders of Wiltshire, its landscape, and many ancient stones and sites (including Stonehenge in the pouring rain, a quintessentially British experience not to be missed unless you have the opportunity to see it in any other weather!). Those days were overwhelmingly beautiful and fascinating, and we extend our thanks to many people for going out of their ways to make it so.

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West Kennet Long Barrow with Terence Meaden, who was kind enough to accompany us there and share his knowledge

And then, on our final day in that county, probably still bearing chalk mud in the treads of our shoes, we visited the Wiltshire Museum in the town of Devizes in the company of long-time friend of the blog Pete Glastonbury. There, to our astonishment, we were greeted by people who already knew of the name of Clonehenge, and who were therefore willing to reveal to us deeply secret Stonehenge models  hidden from the prying eyes of the general public! (Or, yes, possibly just Stonehenge models that would be of absolutely no interest to anyone one but us, but let us have our fantasies.)

After a few minutes surveying small Stonehenge models available in the museum shop, we were introduced to none other than Director David Dawson and led upstairs to view the wonderful Britton Cabinet whose picture adorns the top of this post. We posted about it on this blog years ago, with photos by Mr. Glastonbury, but it was another thing to see it in person! If we described it in detail, this post would be insufferably long (like it is already, only more so), but as it says on this page, “Integral to the design of the cabinet are three models of Stonehenge and Avebury made by Henry Browne.” We are not ashamed to say that we were moved to see in person some of the historical Stonehenge models made by Mr. Henry Browne himself. Browne’s models were, as far as we can tell, the first Stonehenge models to become popular enough to create a demand. The sale of small Stonehenges that we see today in such profusion probably started with him!

A drawer of the cabinet was opened for us, and protective covering carefully lifted from a model so that we might see it. Unlike the model under coloured glass atop the cabinet, which is meant to show the monument as it now stands, this one represents Stonehenge as it is thought to have looked before the destructive forces of time acted upon it.

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in the drawer, a Henry Browne model

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model of Avebury in a drawer of the cabinet, overseen by Pete Glastonbury

When we had finished looking at and photographing the cabinet and its contents, Mr. Dawson then kindly brought out two more Stonehenge models: a resin one made by Michael Postins, who made the ‘template’ for models sold by English Heritage for tourists,

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resin model by Michael Postins, here held by Director Dawson

and a smaller metal one with various military badges, a bit eccentric, which, of course, appeals to us. No history is known for this, but it’s a nice portrayal with stones that look a bit organic, as if they were about to come to life.

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There is much more to the museum, of course, including fascinating and beautiful artefacts from Wiltshire, some found at and near Stonehenge and thought to have belonged to the ancient people who built it and celebrated there. If you’re visiting Stonehenge and want more of its story, you should make a point to stop at the Wiltshire Museum.

We had many more adventures worth telling, and saw more Stonehenge and Avebury models on our trip. But solstice awaits, and the long journey toward shorter days. If you have read this far, we thank you for your time. There truly is a wonderful world of Stonehenge replicas out there, and wonderful people who make them or are fascinated by them. Until next time, friends, happy henging!

Exposé: Shocking Photos From Our Visit to the Heart of the International Henge Trade!

poshest Stonehenge replica at the store

poshest Stonehenge replica at the store

Once upon a time, we thought we’d died and gone to Heaven. But it was just the store at the Stonehenge Visitor Centre.  Here is some of what we saw in our undercover foray into the international trade in henges of all kinds.

shelves full of Stonehenge replica: Clonehenge dream or Clonehenge nightmare??

shelves full of Stonehenge replicas: Clonehenge dream or Clonehenge nightmare??

more Stonehenges for sale!

more Stonehenges for sale! a snowglobe, a plaster model, a game, a ring, pens with trilithon charms, and a purple vinyl trilithon…

And what you see here is just a portion of what we witnessed during our investigative visit to discover the extent of the Stonehenge replica trafficking in which English Heritage is deeply implicated. Turns out they are waist deep in serious international trade in henge knock-offs, most of which are not even made in England.

This is the epicentre of a henge contagion that is spreading around the world, carried in the hands of innocent tourists. And yet, brazenly and without shame, EH displays its wares out in the open for anyone to see, with some even targeting the youngest and most innocent among us.

(In the interest of full disclosure, we bought a small Stonehenge in a tin, not pictured here, and a set of the chocolate trilithons, for medicinal purposes only!)

Of course there is still a place for the handmade henge, the Stonehenge made of food, and the garden replica, so until next time, gentle readers, happy henging!

Aerial pattern of the stones of Stonehenge, done in beads!

Aerial pattern of the stones of Stonehenge, done in pink beads! Is this meant for little girls???

more, more, more!!!

more, more, more!!! a pop-up book, another snowglobe, etched plexiglass, gold-tone and silver-tone trilithon pendants, chocolate trilithons, cheap molded Stonehenge models and trilithons, and the Stonehenge Anthology board game

Clonehenge Goes to Stonehenge: Investigating the Source of the Plague!

Stonehenge—Warning: NOT A REPLICA!

(Warning: this is NOT A REPLICA !) Stonehenge photo by Pete Glastonbury, used with permission. 

Well, the word is out, so we may as well say it here: the entire staff of Clonehenge.com is headed for the UK and, against the justifiable objections of everyone at English Heritage (probably), will be visiting Stonehenge itself in early June!

Despite the well-known dangers of brain infection that we have documented here on this blog for many years, we have decided that, for the sake of the future of mankind and, indeed, of the entire planet and all of its living things, it is nothing short of our duty to investigate the source of the contagion that is spreading little Stonehenges across the globe. So on an undisclosed day in the next few weeks, we will don our hazmat suits, or possibly a mack and Wellies, and approach the dreaded structure that so many foolish and unsuspecting tourists willingly view in the course of a year.

Thank you. Thank you. Yes, we deserve that thundering applause for our courage and self-sacrifice, but of course we are far too modest to admit it! We are, it is true, still awaiting our funding from the Centers for Disease Control and Prevention in Atlanta, Georgia, as well as our funding from the World Health Organisation, but we’re certain they will come through.

Miniature Stonehenge Model in a Tin, as sold at the Visitor Centre

Miniature Stonehenge Model in a Tin, as sold at the Visitor Centre

While there we hope to investigate stories we’ve heard of numerous Stonehenge replicas, large and small, sold at the Stonehenge Visitor Centre, including a particularly close inspection of certain chocolate trilithons of which we have been hearing ominous rumours!

Stonehenge of chocolate trilithons by @SchPrehistory on Twitter

Stonehenge of chocolate trilithons by @SchPrehistory on Twitter

Is it possible that EH or certain shadowy figures associated with the World Heritage Site are complicit in the plot to cover the earth with bad Stonehenge replicas by bringing in millions of tourists to contaminate their minds and then have them take home contagious gifts to families and friends? To find out the truth, we will stop at nothing, even including eating chocolate! It is a tough assignment, but we reluctantly and humbly accept it.

While in the environs, we hope to see other Stonehenge replicas and possibly Avebury and Silbury replicas, too. And the real ones as well. We will report back to our vast but quiet (very very quiet, but we know you’re out there! You are, aren’t you?) fandom.

So wish us luck in our hazardous endeavour. If you never hear from us again, well, you may assume we’re just being as lazy as always!

Until next time, gentle readers, happy henging!

Equinox Henge Sampler or, Good News—People are Still Strange!

knitted Stonehenge by Toogood Knits

knitted Stonehenge by Toogood Knits

Hello, friends! Yes, it’s vernal equinox in the northern hemisphere already and we haven’t posted on this blog since New Year’s. Go ahead, tell us how YOU’VE done everything YOU should have done since then. What’s that? We’re listening, but we can’t hear you? Okay, then.

At any rate, our absence here does not mean that nothing has been happening in the glamourous world of Stonehenge replicas. Au contraire! (See? Glamourous!) On Twitter and Facebook, many Stonehenge replicas, new and old, have been posted and admired. We thought we would post a few recent favourites here for those who still actually read blogs. Nostalgic for when people used to read, are you? The Clonehenge staff admires your old-school dedication!*

So behold: a wooden henge in a Liverpool park, made by John Merrill and John Ayling.

wooden henge in Liverpool's Princes Park

wooden henge in Liverpool’s Princes Park

A food-safe Stonehenge mold on Etsy, for fondant, chocolate, or candy henges, made by Michele B. Brosseau!

Stonehenge food-safe silicone mold

Stonehenge food-safe silicone mold from Etsy

An icehenge, built on a frozen lake in the northern U.S. by Drew McHenry, Kevin Lehner, Quinn Williams, Alec Niedringhaus and Patrick Shields.

Rock Lake Icehenge, in Lake Mills, Wisconsin, USA

Rock Lake Icehenge, in Lake Mills, Wisconsin, USA, photo by Eli Wedel

And then, of course, there are the many foodhenges, of which this melon henge is but an example. We’ve seen cakehenges, a beefhenge, and others including that old favourite, the sconehenge.

melonhenge from the blog Keep It Up, David

melonhenge from the blog Keep It Up, David

So, although our blog posts are sporadic, the world’s bizarre obsession with making Stonehenge replicas has not abated, and reports of them are still pouring in! If you can’t be at Stonehenge itself for the equinox/eclipse celebration this year, we suggest making your own Stonehenge and celebrating with friends. It’s the same earth, the same sun as they’ll have at Stonehenge, with less crowding, less noise, and less trash. And you know where to send the pictures!

Our thanks to all who have posted Stonehenge replicas where we could see them or who sent us emails or messages alerting us to them. A very happy equinox to all and until next time (and the Stones only know when that will be) we wish everyone out there some very happy henging!

*(We realise that you’ve given up reading and gone on to another blog by now, but it’s the thought that counts!)

The Fabulous Stonehenge Marbles: Perfect Gift for that Friend Who Blogs about Stonehenge Replicas!

Stonehenge marbles by Chris Inchaos Schiano

Stonehenge marbles by Chris Inchaos Schiano

We’ve all heard of the remarkable, historic, and controversial Elgin marbles, and lately they’ve been back in the news. But here on the Clonehenge blog we have something far more desirable to show you: the fabulous Stonehenge marbles by Chris Inchaos Schiano! Here is the Stonehenge marbles website. Basically we are going to spam you with photos, quote the artist, and end with a suggestion. Mr. Schiano says of his work:

“Stonehenge Marbles are unique pieces of contemporary art. I hand draw each stone out of glass and encase them to create a permanent miniature replica of the sacred sites. Each marble is a labor of love, which I harness to capture the spirit of the megaliths and the people who envisioned them thousands of years ago.”

A Stonehenge marble, yes, at Stonehenge!

A Stonehenge marble, yes, at Stonehenge!

Every day I learn something new about the stone circle that I try to relay into the glass.

more marbles

more marbles

And although these beautiful creations are more than enough, he doesn’t stop at Stonehenge.

Stonehenge and more, trapped in marbles

Stonehenge and more, trapped in marbles

Above we see: “Stonehenge Past and Present, Avebury, Stones of Stenness, Carnac, The Great Wall of China, Egyptian and Aztec Pyramids, the Parthenon, and [not sure whether to say “sadly” or “of course”!—CH] a Moai.” He has even done a Stonehenge marble with an Easter Island moai hidden in the glass at the bottom, in a fine (?) tradition long established among Stonehenge replica creators! Stonehenge marbles may show the monument either as it currently exists or as it is thought to have been originally.

Stonehenge marble with sunset

Stonehenge marble with sunset

Be sure to have a look at this video of a marble that was auctioned off just recently!

*wipes drool from corners of mouth* Heh. Excuse us. That video, tho. There seriously are not enough druids in the world to award for these things.

In closing, we hardly need point out that winter solstice and the Christmas holiday are almost upon us, and we know you’re all wondering what to buy for that hard-to-please but much adored Stonehenge replica blogger on your holiday gift lists. Let us make it easy. Why not order a custom Stonehenge marble (no moai necessary!)? We guarantee it’s bound to please, and think of the satisfaction you will gain from supporting an original artist instead of spending the hundreds you were planning to spend on bric-a-brac. 😉 Everyone wins!

We heartily wish a very happy solstice to all of our readers, and a happy holiday season to everyone. Until the next time, very close and very generous friends, happy henging!