Above: Simon Banton at that famous pile of rocks:
“You can notice a lot of subtleties about Stonehenge if you spend 6 years looking at it from all angles in all weathers and lighting conditions.”
It may seem to go without saying that the idea of Stonehenge replicas is inextricably tied to Stonehenge, but we’ve been thinking it needs a little more talking about. What do all these Stonehenge replicas look like to people who are actually familiar with Stonehenge?
Well, a peculiar outcome of doing Clonehenge over the years has been the unexpected pleasure of getting to know a number of people who are connected with Stonehenge in one manner or another. Those people have made us aware of aspects of Stonehenge and its landscape that we knew nothing of before we began this blog and our life of folly. That, in turn, has changed what we see and look for in Stonehenge replicas.
It is in this context we would like to introduce to you Mr. Simon Banton. A few readers may remember him as the fellow who when he found himself at a pub that had children’s toys, made and sent us some Clonehenge art on an Etch-A-Sketch (How do we love this? Let us count the ways!).
But there is a great deal more to him than that, as the photo at the top suggests. He is good natured and deeply knowledgable and has two blogs, The Stones of Stonehenge, with a page devoted to each stone at Stonehenge, and Stonehenge Monument, with information about Stonehenge and the surrounding landscape of the World Heritage Site. We asked him for an interview, and to our delight he agreed. The result is remarkable, if a bit technical in places. We intended to post only a short edit of the interview, but it is so full of information and good thoughts, stories, and ideas that we’ve decided to post most of it, split into two parts, with helpful (we hope) commentary, links, and photos added.
A note to start, because this will come up:
As some will know, there is a commonly agreed-upon numbering system for the stones at Stonehenge. For example, this trilithon, originally part of the outer circle so it would have supported the ends of two more lintels, shows upright stones 4 and 5 plus the lintel, which is 105.
(Just ignore the show-off bustard. Apparently bird tourists are permitted inside the circle of the ditch and bank, unlike the rest of us that day. Not fair, but as they say, what is?)
Stonehenge numbered stone plan by Author ©Anthony Johnson 2008
The plan on the right, showing numbers for each stone, is linked to a larger version. And now, the first part of our interview with Simon:
1) First, for the reader, what has been your involvement with Stonehenge over the years? I understand you worked there. For how long and in what capacity?
I first saw Stonehenge when I went to the very last Stonehenge Free Festival in 1984, before the authorities clamped down on it at the infamous Battle of the Beanfield of 1985 (Google it and watch the YouTube vids). Being in and around the monument had a profound effect on me, at the time I was only 19 years old.
When, in 2000, English Heritage, the Police and Wiltshire Council did away with the 3 mile radius exclusion zone that had been in place at Summer Solstice ever since 1985, I felt compelled to go along to that first “Managed Open Access” event to get back inside the stone circle. That, too, was a transformative experience. It poured with rain all night long and 5000 people were thoroughly soaked by the time dawn arrived, with no sign of the Sunrise.
I’d developed a keen interest in archaeoastronomy in the mid-1990s (I’ve been an amateur astronomer since I was 9 years old) and I was actively researching Egyptian sky-mythology. Stonehenge was the next logical step. By 2010 I’d moved to within 3 miles of Stonehenge and I became an Education Volunteer for English Heritage… Within a couple of months this turned into a job as a member of the Visitor Operations Team, standing on the path next to the stones and getting paid for telling people about the place. I did this for 6 years and loved it – it gave me unprecedented levels of access to the stone circle and allowed me to carry out my own research. You can notice a lot of subtleties about Stonehenge if you spend 6 years looking at it from all angles in all weathers and lighting conditions.
I have a bronzed resin cast model of Stones 4, 5 and 105 that is 8″ high and mounted on a plinth that reads “It’s smaller than I imagined”. I helped a local firm with their project to create these casts as souvenirs to sell in their shop in Amesbury and they gave me a prototype as a thank you. Stone 5 is the one with the large yellow lichen “DI” lettering that’s visible on its eastern face, a remnant of the RADIO CAROLINE graffiti from the 1960s.
I’ve also got a 1′ high x 2′ wide beaten metal and weld sculptural picture of the monument, done by my friend Michelle Topps of Horseshoes4Hounds (https://www.facebook.com/horseshoes4hounds). Both are utterly unique – I don’t go for snowglobes and the like!
[Editor’s note: This is Quite a Nice Thing! Also—a reminder to our readers that opinions of an interviewee are not necessarily the opinions of the interviewer. We love snowglobes and it’s not too late to send us one!]
3) How many ‘clonehenges’ have you made, if any, and what were the materials?
I’ve done one out of bricks (hasn’t everyone?) but these bricks were the ones that used to line the edge of the visitor path around the monument, and I acquired them when they were torn up as part of the refurbishing of the path back in 2013. I did once make a trilithon out of snow, which is a whole lot trickier than you’d think, and then there was the 5-minute “boxes-of-herbal-tea-henge”, which was a joint effort with other members of the Stonehenge staff when management somewhat over-ordered one day 🙂
4) What do you find amusing, irritating, or remarkable about Stonehenge models or replicas you’ve seen? Do any in particular stand out, whether as good, bad, funny, or impressive? Do you have a favourite?
I’m always amused by the lengths people will go to to henge things – but I feel vaguely sad when no attempt is made to make something recognisably close to the original in any way. There’s more to a good clonehenge than that.
It also irritates me when the models that English Heritage sell have glaring errors. Don’t get me started on the large models in the exhibition at the Visitor Centre – the Station Stones are so out of whack that “rectangle” is the last word you’d use to describe their arrangement! They also forgot to include the Altar Stone when the models were first made, and when they did finally add them in, they glued them down at 90° to the primary solstitial axis instead of the correct 80° – that really grinds my gears, because the 80° angle is fundamental to the design of the monument. [Editor’s note: The plan above and to the left shows the rectangle formed by the Station Stones at Stonehenge. The rectangle formed by these stones is considered important by some because, along with the alignments of these and other stones, it may be part of the reason Stonehenge was built where it is.]
The most impressive has got to be Deller’s “Sacrilege” [Editor: the famous inflatable Stonehenge that toured a few years ago. In this we do not disagree!]. Even though it doesn’t have all the stones, it has just enough of them, done accurately enough that it’s unmistakably close to the real thing. And it’s enormous fun to bounce on. [Editor: On the left, or above, depending on the device you’re using to see this, is a photo of Deller’s bouncy Stonehenge with Simon on the right and English Heritage archaeologist Dave Field on the left. Photo by and with permission of the fabulous Pete Glastonbury.]
My favourite is the one at Esperance, Australia. Although I’ve not seen it in person, I love that it’s a close replica made of actual stone and that it’s correctly rotated 180° from the prototype [Editor: because of its location in the Southern Hemisphere]. It’ll last as long as the original and baffle future archaeologists. •
We end the first part of our interview with Simon Banton here. There’s plenty of information to digest. His opinions about why so many people make Stonehenges, what he would like to see in them, and other advice for hengers, as well as a little advice for Clonehenge itself, are ahead in the next part of the interview. Be sure to tune in!
And until next time, of course, happy henging!