Honestly, we never expected to be part of a Clonehenge event in our own town, but it’s a funny old world! In two weeks, on 21 September*, in Nazareth, Pennsylvania, U. S. of good old A., there will not only be a hayhenge of hay bales, but other Clonehenge-related things and activities for the whole family, except of course your hipster niece and nephew who think they are too cool for it (and they are perhaps the most Clonehenge-ish people of all, but don’t tell them we said so!).
Inspired by Clonehenge, replicas of Stonehenge, Nazareth Hayhenge will be added to the Farmers’ Market on September 21, from 9 a.m. to 1 p.m. in the center circle.
There will be Stonehenge themed activities for your whole family to participate in. Foodhenge, a build your own version of Stonehenge made from food from the vendors at the farmers market, is open to people of all ages. There is a $5.00 entry fee with prizes awarded for each category being judged. There will also be a Stonehenge photo op on site, hay bale tic-tac-toe and a children’s play area where they can duplicate Stonehenge by using building blocks.
Here comes the good,—meaning laughable—part:
Famed Clonehenge author, Nancy Wisser, a Nazareth resident, was invited to visit Stonehenge a few years back and decided to write a blog about all the fun happenings around the world duplicating Stonehenge. She never expected her following to grow worldwide and was shocked at the outpouring of support. Nancy will be at Nazareth Hayhenge discussing Stonehenge and all of the replicas around the world, as well as the fall equinox, during this fun event.
If you are interested in getting involved in this event either as a sponsor or vendor, please contact Liz, firstname.lastname@example.org
Have some fun photos of the day? Post them to our facebook event and make sure to tag #NazarethHayhenge
“Famed Clonehenge author.” Yeah, no, not so much with the fame unless you count a few extreme Stonehenge nerds lost in a forsaken corner of the world called Wessex. And it really isn’t really fame on my part, just sort of a loose affiliation in which they and their favorite monument have all the fame but they somehow know my name. Still, we’re intending to enjoy all of this, including being called a famous author. Dream come true!
Aaannyyway, we would love to see you there if you’ll be anywhere nearby on that date. The event will be held from 9:00 a.m. to 1:00 p.m. There will also be a farmers market, so you will be able to buy veggie-type things, including apples, squashes, and possibly cider, plus baked goods, locally made breads and cheeses, and more. Henges will be made! Selfies will be taken! Costumes are encouraged! And somewhere in there I am to give a presentation about Stonehenge and Clonehenge, but don’t let that scare you off.
On the other hand, if you want to bring your family’s Stonehenge replica and show it to me, I’m fine with that! Or just come over to say hi and shake my hand. (If you’re dressed as a witch or a druid, I will want a selfie with you.) Heck, I’ll sign things if you want. Ask me questions about Stonehenge and watch me look vaguely embarrassed and do a quick search on my phone. If you have a question about a particular stone at Stonehenge, I know just who to refer you to! So there’s that.
We’re looking forward to it. If it’s a success, we may have a bigger one next year. We’ll do a follow-up post here after the fact. Many thanks to Liz Wyant, Austin James, Lori Bernardo, Eric Ferguson, Bryan Youpa, Clear Spring Farms, who are providing the hay, and Baarda Farms, who are providing many of the veggies for the henging!
We are now, in our official capacity as Clonehenge, declaring the 21st of September as International Henging Day! Wherever you are, make a henge out of any material you want. Turn your back on the news for a while, and do something ridiculous. Send us a picture if you want! That’s email@example.com .
So to all of you out there in Internet Land, we wish you some very happy henging, and a great autumn! Despite how everything seems, it’s a great world to be alive in.
*It will be almost equinox, and at equinox in the town of Nazareth, the rising sun shines right down Center Street to the circle where the even will be held, so it’s all perfect! Nazareth-henge!
We have mentioned that Indonesia seems to have a thing for Stonehenges. We know there are at least 3. A couple years ago we posted the most famous one: the one at Yogyakarta in the shadow of the volcano called Merapi. The one in our post today is less than a 2 hour drive away! We hope to bring you yet another Indonesian one soon, on the island of Sumatra, but for now let’s have a look at this Stonehenge in the Javanese park called Celosia Happy and Fun. Of the many attractions at this new amusement park, Stonehenge seems to be among the most popular, especially for selfies.
But there are many other very happy and fun things at this park: rides, costumes to wear, Teletubbies to pose with, a hobbit house, an Eiffel Tower, flower gardens, dancing to watch and much more. It takes a lot to live up to a name like Celosia Happy and Fun, but they are certainly making the effort here!
It strikes us, looking at Stonehenge replicas worldwide, that this attitude toward Stonehenges as being something happy and fun is largely an Asian thing. Except for obviously silly ones like Carhenge in Nebraska, rarely do we see as many joyous smiling selfies at replicas elsewhere. Moods can get kind of serious and witchy in photos taken at some of the European ones and those in the States, but in many of the Indonesian, Thai, Malaysian, and Chinese Stonehenge selfies we see real joy. That may be why we see the most rapid proliferation of Stonehenges happening in that part of the world.
We don’t know anything about whose idea this small and handsome Stonehenge was, what it is made of, or what inspired its creation in the first place. It just adds to the intrigue of how Stonehenge gets chosen again and again as something that will draw people, something that people around the world want and will visit even in replica form. Has the advent of the selfie been a driver of the increase in Stonehenges? Why aren’t Ph.D candidates flocking to explore this??
At very few Stonehenge replicas can you do this!
When we add all the Stonehenge replicas we have learned of recently our list of large permanent replicas will go over 100! If we ever get around to adding all of them, we should say. And that’s not counting questionable ones like modern trilithons that have recently been erected in Japan and the Czech republic.
We are in the situation in our personal life of having, as they say, irons in too many very different fires right now, and as a result the Clonehenge blog has been sorely neglected. Our apologies! Meanwhile it seems to be more relevant than ever as the replica numbers mount. You know, it’s strange: when we ask for apprentices no one seems to be interested in doing hours and hours of work with no hope of ever making any money. Where, oh where are the foolish idealists of old? 😉
Foolishness, in our—well, maybe not as humble as it should be—opinion, is criminally underrated! As you no doubt have noticed, the fact does nothing to scare us off from our trademark foolishness. It’s too late to stop now!
We hope to bring you more from our list of as yet unlisted large permanent replicas, but who knows? We have been undependable about posting, monumentally so, one might say. haha Until we do post again, Gentle Readers, we wish you a happy equinox season and, as always, happy henging!
Kavishaila in Kuppalli, Bangalore, India: photo by @nikhilvshetty on Instagram.
This one is lovely.
It is rare to run across a replica that is built for reasons that are truly moving, but this is one. Kuvempu, the poet playwright and novelist in whose honour it was built (portrayed in a Google doodle on the anniversary of his birth in 2017*) when he died in 1994, was and is truly beloved by many speakers of the Kannada language in which he wrote, especially those who love the natural world and high-minded philosophy. Wikipedia says of this monument:
“Kavishaila is a rock monument made of megalithic rocks and dedicated to Kuvempu. It is on the top of a small hill in Kuppalli. Arranged in a circular fashion, the rocks have been placed to resemble the Stonehenge in England. At the centre of this rock monument is the place where Kuvempu was laid to rest after his death and a memorial has been constructed at that location. Near this monument, is a small rock where Kuvempu used to sit and discuss about literature and other topics with his other literature friends.”
The view from this high place is said to be breathtaking, green forest stretched out below with a view to the hills. It is recommended to be there at sunset when, as you see in the picture above, on a clear evening the light streams through the trilithons onto the place where the poet was laid to rest.
We know of many monuments and sculptures that resemble Stonehenge around the world, but that we hesitate to post here because we are not certain they were built with Stonehenge in mind. In this case, however, there seems to be no doubt. We don’t know what the connection is that inspired someone to erect a Stonehenge in this man’s honour (and perhaps we could discover that if we could read his language), but maybe it was just that the mystery and beauty and sense of something truly great that Stonehenge represents to so many people is the same feeling that the writings of this poet and thinker inspire in people.
Yes, as far as form goes, it is only a partial circle of straight-sided stone trilithons. But as with the beautiful partial Stonehenge in the far north of the Galician section of Spain placed high and looking out to sea to honour those who died at the hands of the brutal Franco regime, its meaning helps it to transcend its form. If we were still awarding our (humourously meant! Yes, we know they had nothing to do with it.) druid scores, this would get a solid 8 druids. A thing of beauty.
Before we finish talking about it, here is a fun addition. Looking through Instagram one day, as you do, we found an image of a replica of this replica. If you know us, you know we love the meta quality of that. Here it is, built for a display at the Lalbagh Botanical Garden in Bengaluru, India. It also speaks to how well known Kavashaila is in India.
Our thanks to friend Barry Teague for making us aware of this memorial, and to Nikhil V. Shetty for kind permission to use his lovely photograph here.
Oh, wait! We almost forgot to mention, Clonehenge was mentioned in the Guardian newspaper this week! We got a mention and a link in the thoughtful and many-faceted article about the Stonehenge tunnel dilemma, The Battle for the Future of Stonehenge, by Charlotte Higgins. Truly a privilege and a little moment of fame for this humble blogger. Many thanks to you, Ms. Higgins, and to whatever little bird may have whispered our name in your ear!
And so until next time, Gentle Readers, once again we wish you happy henging!
*The Kuvempu Google doodle, in which he appears to be seated at the site where Kavishaila was built:
From @EH_Stonehenge on Twitter:
“No, your eyes aren’t deceiving you, there are two monuments at Stonehenge today. One is a giant cake fit for 2,500 hungry guests! #SH100
Look at this! (And yes, we include the obvious rain in that demand.) Look at the lichen on those lintels! Look at the shapes of those stones, including the little bumps and creases! The three-lintel stretch and Stone #56! This has to be the most accurate Stonehenge cake ever (and we’ve heard it includes spiced apple and blackberry cream, or similar. We will look into this and report back with corrections to that crucial information). And there it is, with Stonehenge in the background! *sigh* Perfection.
Not far away, at the Visitor Centre, Jeremy Deller’s inflatable bouncy Stonehenge is inflated and ready for bouncing. What a day for Stonehenge and English Heritage, yes, but more importantly, what a day for Stonehenge replicas! How we wish we were there, gentle readers.
Still, we are a humble blog about Stonehenge replicas, sitting safely in the warm and dry an ocean away from the festivities and for now we are enjoying the clonehenges associated with this celebration! Congratulations to all, including everyone at English Heritage, and may Stonehenge continue to reign in the hearts and minds of people around the world!
(And inspire them to build more and better models of it!)
We are finally posting our interview with historian Brian Edwards, Visiting Research Fellow at University of the West of England, Bristol. Even if he were connected with Clonehenge in no other way, the fabulous Stonehenge replica above would cement his fame on this blog! We have never seen one with this level of detail: the bus, the Visitor Centre, the ice cream truck (!), little replicas of replica round houses (we always love little metas!), Stonehenge landscape mounds, and much more, including the bustard we saw when we were hosted at Stonehenge by Mr. Edwards three years ago, and, underneath, the much-dreaded tunnel! This Stonehenge replica is absolutely brilliant.
But there is more to this gentleman than this unique and wonderful replica. He is a historian whose broad area of interest contains within it the phenomenon of Stonehenge replicas and their history—perhaps the only such historian in the world! His article called ‘Mr Toagis’s Stonehenge: An exploration of an uncelebrated benchmark in replica henge monuments to mark the tenth anniversary of Clonehenge’, published in an academic journal, actually mentions us, and once he mentioned Clonehenge on the radio during an interview. Truly a friend of the blog!
That said, we found it advisable, due to the academic style of writing, to append a [tl;dr] at the end of his answer to the first question, for those who find it a bit intimidating. After that, the academic language eases up a bit and you’re on your own. The answers to questions 2 and 5 are particularly good, but if you are interested in Clonehenge and Stonehenge replicas, do read it all. And at the end we’ve posted a link to that Clonehenge mug you’ve all been meaning to buy. Solstice giving time is approaching!
Clonehenge: What do you do, and how does it tie in with Stonehenge replicas?
I am the author of ‘Mr Toagis’s Stonehenge: An exploration of an uncelebrated benchmark in replica henge monuments to mark the tenth anniversary of Clonehenge’ (The Regional Historian, Annual Journal of the Regional History Centre, New Series No 1, 2018, pp. 26-31). Although not central to what I do, Stonehenge replicas offer entertainingly informative examples that illustrate my focus as a Visiting Research Fellow at the Regional History Centre, at the University of the West of England. My field is public history and historiography in relation to monuments. My research involves highlighting and interpreting contemporary and historical impressions of the past in the public domain, in comparison to what academic and professional historians discuss through learned journals and scholarly tomes. Having in excess of a three hundred year history of expressing consciousness of a prehistoric original, Stonehenge replicas highlight that throughout history monuments have been increasingly adopted, interpreted and reproduced in a variety of forms through layer upon layer of lay public interest irrespective of, and sometimes in contrast to, learned analysis and official sanction. Stonehenge replicas are not just fun, they are an important route through which anyone and everyone can join in. Moreover, as ‘Mr Toagis’ illustrates, replicas and their individual and collective histories offer various routes to studying.
[tl;dr: Part of what he studies is the public’s impressions of historic monuments, including Stonehenge. Also, as we said, he mentioned Clonehenge and it’s 10th anniversary in an article he wrote that was published in an academic journal!]
Clonehenge: What and when was the earliest Stonehenge replica you know of?
It is commonly believed that the earliest known Stonehenge replica was produced in 1714 by the great antiquary William Stukeley (1687- 1765): a model of the stones “as is” that he put on display in London in 1751. Between these times a Stonehenge replica in the form of a stage set appeared in a pantomime, and Stukeley advised on a large scale “as was” replica of Stonehenge that was to be erected in nearby Wilton in Wiltshire. However, the earliest replica is potentially an item of very early eighteenth century jewellery, later recorded as being acquired for a royal collection in Europe. If confirmed, it would predate Stukeley’s model by between seven and twelve years. Even that may not be the earliest example in recorded history, and of course for all that is known a replica may have existed in prehistory.
Clonehenge: When did you first get interested in Stonehenge replicas? When and how did you first learn about Clonehenge?
From memory Clonehenge almost immediately started to feature in conversations, it was topically discussed online by Wiltshire based enthusiasts, so I imagine I was aware through archaeological forum chatter quite early on. My personal introduction probably dates to encounters as a child, but I don’t recall any specific examples before the experience of witnessing the original from the A303. This was a typical stimulating encounter as experienced on journeys to and from the West Country for hundreds of years of course. That first time, in my case as a nine or ten year old, stands out because it fosters interest and makes one alert to other potential opportunities. Around the same time, I inherited an old unused sepia postcard of a Stonehenge model ‘in origin’ (early twentieth century San Bride postcard) that had been used as a bookmark inside a 1950s copy of Heyerdahl’s Kon-Tiki Expedition. This was among several books passed on by a friend of my mother, whose sons had reached adulthood and flown the nest. From the same family I received an ostrich egg, a boomerang, and a pair of Indian clubs.
Clonehenge: How many Stonehenge replicas or models do you own?
Anything Stonehenge or Avebury related that I acquire, I tend to donate to a Wiltshire archive or museum sooner rather than later. The only example of a replica still in my possession is a large glass topped coffee table housing a model of Avebury henge, destined for Wiltshire Heritage Museum at some point.
Clonehenge: How many Stonehenge replicas have you made? Would you describe one? We understand English Heritage is in possession of one that was of your making. How did that come about?
Earlier this year I built a replica from cheese puffs in order to photograph easy to follow stages for a competition. This was in connection with the Stonehenge Chubb Centenary Day, a village celebration of Cecil and Mary Chubb donating Stonehenge to the nation and us all one hundred years ago. Obliged to build a further replica for the same competition, but determined to be disqualified, I chose to make a model that was in excess of the size limit of 300 mm diameter. Supplemented by glue and paint, the materials were nearly all from what had been set aside for recycling. The basic idea started to expand as more and more of the contemporary dynamics that surround the original Stonehenge got included, and it grew into a three-tier construction.
The stones, visitors and official coaches formed the top layer, which also included some examples of the homes of some of the residents living on Byway 12, sometimes referred to as ‘The Drove’. A Great Bustard also features, in homage to the actual bird witnessed by the founder of Clonehenge when visiting Stonehenge. Complete with Perspex entrance kiosks and some of the replica huts seen at the actual site, the middle layer was a model of the visitor centre made from medicine boxes and water damaged cocktail sticks. The bottom layer included a replica of the Winterbourne Stoke barrow group, the other flanks featured the visitor centre car and coach parks, and on a corner a Speed-watch volunteer stood amidst road signage of the nearby village of Shrewton, the birthplace of Sir Cecil Chubb.
This section also included the proposed introduction of an A303 road tunnel, posed as a mock battle between skeletons and traffic within the World Heritage site. This idea of a tug-o-war between awakening skellies and the tunnel was prompted in particular by local traffic activists summarising contemporary traffic woes as the ‘living versus the dead’: this was the theme of a paper I presented at a post-medieval archaeology conference earlier in the year (“Slogans coined, songs written, rumours circulated,” … the withdrawal of post-medieval Stonehenge?) and is the basis of a forthcoming publication (The Living and the Dead: Public Engagement with Archaeology and the A303 at Stonehenge).
Clonehenge: Are there any particular things you like to see in a Stonehenge replica? Of those made by others, do you have any favourites?
Outside of competitions and such as predetermined school projects I am not keen on fixed rules, lest any sort of regulation would chicane imagination. Whilst broadly following a trend a replica doesn’t have to contain anything specific and doesn’t have to resemble the original, it merely requires thought and where possible an original idea or element. In my opinion it is counterproductive to adopt a stiff view about accuracy: to do so even in passing in connection with a painting or a model of Stonehenge, isn’t in the best interests of encouragement and so is not doing our collective experience, and therefore knowledge and understanding, any favours.
Among those of us tending to appreciate anything built in replication and model form, there is always an added element of admiration for anything created by lay individuals, with domestic, mundane and recycled materials, and of course by children. Of those smaller versions I have seen Doe-henge (created for the Stonehenge Chubb Centenary Day) was particularly inspired, but surely we all love the cakes and relate to the food-henges. As regards a full size Stonehenge, my favourite replica is the original, it is not after all a time-honoured ruin but reconstructed with available parts and propped up with concrete.
Clonehenge: What thoughts do you have about the worldwide phenomenon of Stonehenge replicas and the fact that so many people spontaneously make Stonehenges? What do you think it says about public perceptions of Stonehenge?
The worldwide phenomenon of Stonehenge replicas illustrates the extent to which people are not only fascinated by the mysteries posed by the original, but seek to join in and enjoy developing tactile ways of experimenting. What this says to me about public perceptions of Stonehenge, is that those that care for and manage the original have no chance whatsoever of keeping up with public ideas, trends and demands, so expensively fixing on and committing to any given interpretation or presentation will inevitably find it outmoded and frustrating to elements of the wider public by the time it is enacted.
Clonehenge: Are there any further points you would like to make in connection with Stonehenge or the replicas? Do you expect them to become more popular in the future?
There will be replicas as long as there are schools and museums that recognise that every new generation can benefit from a fun way of engaging with the prehistoric original.
There you have it, friends—Stonehenge replicas, Clonehenges, if you will, will be always with us, so as long as we at Clonehenge live forever—and we have every reason to believe that we will—there will always be a Clonehenge blog here, mostly not being posted to. We certainly have many new henges to post, and more are appearing all the time. We have at least three more Large Permanent Replicas to do posts about, so we hope to post more soon. To see frequent henges in the meantime, follow us on Twitter and the Facebook Group and/or Page to see more that are popping up everywhere all the time!
As promised, here is the link to where you can buy a Clonehenge mug, a unique gift for your megalith-loving friends!
(If anyone in the UK would prefer the silver-tone rimmed enamel mugs below, much like the ones we gave to friends and people we admire in the UK, leave a message in the comments or email us at firstname.lastname@example.org. They are £10.10 per mug, shipping included. Shipping costs make it impractical to sell that model outside Europe.)
And so, until next time, Gentle Readers, we wish you happy Halloween*, joyous Samhain, and of course, happy henging!
A translation from German of the original caption of this photo reads:
“Stonehenge in Magdeburg
During a walk around the Salbker Lake, you can see a replica of Stonehenge, which is the stone circle cult site of the Celts in southern England.
Stone mason Jörg Sorge from Magdeburg has built this on his property.”
There is so much to unpack here.
For one thing, a little research makes it clear that although he is a stone mason, Sorge has fashioned these ‘stones’ out of concrete, texturing and painting them to resemble stone. A lot of time and creativity, and so presumably love and enthusiasm, has gone into this.
And then of course there is the whole Celtic thing, which we learn more about in another article, where Sorge, who plays the bagpipe and sometimes wears a kilt, asserts that “inside i am a Celt”. In one article, featuring a picture of him in said kilt, standing in his Stonehenge, we read:
“The culture of the rugged Scottish highlands has fascinated Jörg Sorge for years. He has long felt like a Celt, last summer he also fulfilled the dream of Stonehenge. Now the replica of the Bronze Age stone circle stands in his garden and serves as a backdrop to the Celtic Fire Festival.“
Copyright Dennis Kotzian, used with permission
Well, we’ll allow them the Bronze Age bit. Stonehenge was started and much work was done long before that, but the stone circle the replica depicts does seem to have been completed in the Bronze Age. Certainly the dagger art on the stones dates to that time.
But by all accounts, whether ‘Celtic’ culture (no, we’re not going to enter the discussion of whether the term Celtic itself is so broad as to be almost meaningless, an attempt to lump together too many diverse smaller groupings–such discussions are for serious people and we just ain’t one of them, thank whatever gods there be!) washed in like a tide over peoples already in Britain or if it arrived along with new groups of people landing on the island from the continent, it had not yet arrived when Stonehenge was completed. Of that we can be sure. There is certainly no evidence of kilts and bagpipes in any burial in the area of Stonehenge, then or since!
But luckily, Stonehenge replicas are just for fun, and far be it from us to discourage people from championing their inner Celt, whatever they fancy that means, or their inner Viking, or their inner Elf or Ent for that matter. It is useful to explore what has meaning for you, however outlandish it might seem to others. We may find real hidden parts of ourselves by starting with fanciful things we’re drawn to. We at Clonehenge have seen it happen.
This replica that Sorge has built from his inner inspiration and by the work of his own hands has already brought delight to other people, like those who attended the Celtic Fire Festival, and it is certainly worthy of inclusion on our list of large permanent replicas. Well done,sir, say we!
Let this be a lesson to us all, Gentle Readers, and let us not fear to pursue or more whimsical inclinations, regardless of what others think of them. They may turn out to be a way to enhance not only our lives but the lives of others, and encourage them to be more free as well.
So until next time (which may well be after the official Clonehenge trip to Stonehenge and environs!*), dear friends, happy henging!
*if you are at Stonehenge equinox access on the morning of the 23rd, we may see you there!
Simon Banton and Neil Wiseman ponder their remake of Stonehenge. Photo by Andy Burns.
Actual plan of Stonehenge to compare
We know it for ourselves: these grey blocks are irresistible. Off in one corner of the wonderful Wiltshire Museum which displays, among many wonderful things, a collection called Gold from the Time of Stonehenge, there is a children’s section that includes rectangular grey blocks and a round green base to build on. What possibilities! The very sight of it casts a spell of inevitability on any true henger.
Neil Wiseman admiring his handiwork at the Wiltshire Museum. Photo by Simon Banton.
Enter, from stage left, two Stonehenge experts and over-qualified hengers: Mr. Simon Banton, introduced to our readers a few posts ago and whose blog includes a page for each stone at Stonehenge, and Mr. Neil Wiseman, author of the book Stonehenge and the Neolithic Cosmos: A New Look at the Oldest Mystery in the World. The two gentlemen assert that they did not actually visit the museum solely to make a Stonehenge replica, but the same siren song of the grey blocks that sang to us during our visit three years ago lured them to the children’s section. The result was both extraordinary and, in a way, hilarious—hilarious, we mean, by virtue of the contrast between the simplicity of those grey children’s blocks and the level of expertise Wiseman and Banton brought to bear on them.
You may compare their accomplishment with the aerial view of Stonehenge we have provided for that purpose. Within the limitations of the medium, this is probably the best Stonehenge replica possible. If we were still handing out Druid scores for henges, we would have to give this one 9 Druids. And yes, as the cognoscenti might remind us, Druids had nothing to do with the building of Stonehenge, but it is so much a part of public perceptions of the monument that it amuses us to use it as our metric.
Of course, we hasten to say that we do not expect this kind of precision from the common henger. It is, however, not cheating to actually look at a picture of Stonehenge before you build. You, too, can beat the dreaded Circle of Trilithons Syndrome!
Addendum: pertinent to our previous post about Stonehenge Centenary Day, below is a picture of Mr. Tim Daw (of the first modern long barrow, and the resting concrete trilithon we’ve mentioned here in the past) at that event* and rather dapperly dressed for it, putting together a wooden Stonehenge he made for English Heritage. It is a lovely thing, in the category of replicas that show Stonehenge as it is thought to have looked at its height. Note the diagram at the lower left, being used as a guide.
Photo by Brian Edwards.
If these people who know Stonehenge so well and have spent time there are compelled to build their own, how then are the rest of us to resist the imperative? Give in. Make henges and be happy!
Until next time, friends, we wish you happy henging!
*We hope to post some pictures of henges from the henging contest at the centenary event at some future date.