Wiltshire Museum Models: Replicas for Learning (and for Tourists!)

Stonehenge model, photo by Pete Glastonbury, used with permission

Stonehenge model, photo by Pete Glastonbury, used with permission

One of the things that have become apparent in the last ALMOST FIVE YEARS that we have been posting on the Clonehenge blog is that there are many different categories of Stonehenge replicas—many reasons for making them, many sizes, many materials, many styles, many places where they are made and where they end up. Generally, each replica falls into several categories, for example: small, carrot, before-it-was-ruined, just-for-fun; large, metal, partial, sculpture/art, or full-sized, edible, citrus, trilithon, parade float (with druid).

There are several kinds of museums that may have Stonehenge replicas (large or small), as we have shown in posts over the years. A clock museum may depict Stonehenge as an early time piece. Astronomical museums often have replicas as examples of how even our distant ancestors were fascinated by the movement of the sun, stars. and planets. Archaeological and historical museums, of course, depict and talk about Stonehenge and the light it sheds on the lives and thoughts of early civilisations.

The Wiltshire Museum, in Devizes, Wiltshire, UK (formerly known as the Wiltshire Heritage Museum), falls more or less into the last category. We’ve shown you some of their Stonehenge and Avebury (and West Kennet Long Barrow and Marden Henge) models before, as well as their stunning and unique “Celtic” Cabinet, all courtesy of friend of the blog and fine photographer of ancient sites, Pete Glastonbury.

Avebury model, photo by Pete Glastonbury, used with permission

Avebury model, photo by Pete Glastonbury, used with permission

Well, HERE ARE MORE! More model, more label, more learning, more fun! The photo at the top is a labeled model of Stonehenge as it may have looked at its height, including station stones, the slaughter stone, and the ditch and bank that (almost) make Stonehenge officially a henge. (Technically it isn’t, quite, but you can look that up yourself.) We don’t know what the model is made of or who made it, but as you can see, this is a very good model.

The lower photo is of Avebury as it may have been at its height in the Bronze Age, with the South and North Circles, including the Cove, and beginnings of the avenues that lead to the Longstones at Beckhampton, and to West Kennet Long Barrow. Nice!

While things like the shapes of individual stones seem not to be addressed (do we even know what shapes the stones were thousands of years ago?), these are about as close as we get to definitive models. The anonymous model makers would probably be offended by our units of reward, but we nevertheless give these models a 7 druids score! Very good score, considering their size.

Models like this aren’t as whimsical or exciting as many of the others we’ve posted, but they are still Stonehenge replicas and our blog would be incomplete without them, and that, friends, cannot be allowed.

Our deep gratitude once again to Mr. Pete Glastonbury! Remember, as Christmas approaches and you need something unusual for your discerning family members and friends, Pete’s unique photographs of Stonehenge, Avebury, and Silbury Hill make great gifts! And if you’re truly interested in knowing more about Stonehenge and the surrounding ancient landscape, AND you have iBooks, you’ll enjoy the unusually broad spectrum of knowledge in his Stonehenge Guide. [Spoiler: he actually admits he knows us!]

We don’t make any money from those promotions, but when you buy something because we said so, it gives us a false feeling of power and importance. We need that gratification, people!

Thank you for reading, and until next time (when we have a new large permanent replica to share), happy henging!

A Subjective Perspective on the Henge Collective! Or, Clonehenge the Doggerel!

photo from the Henge Collective Facebook page, used with permission

And now we present: Clonehenge the Doggerel!

We have decided it is time
To do a Clonehenge post in rhyme.
But what fine henge
Should be the victim
Of this arbitrary dictum?
No henge! Instead it’s our objective
To tell you of–the Henge Collective!

Some friends went up to Blackford Hill– Well, maybe first they stopped at Tesco– Some sunshine had dispersed the chill, So they resolved to dine alfresco. One found two stones and put them upright, A lintel added over top, Creating a faux sacred stone site. Since then they’ve found it hard to stop. Henge building now their prime directive–They have become the Henge Collective!

Now people join from far and wide, Their hope to fill the world with henges, Some are narrow and some wide, Some quite tall , some low like benges. [hmm… this isn’t going as well as we hoped!] They’re invited in to build, at music festivals and gardens, Henges by which all are thrilled, except if they prefer a Tardis. [Drat!  Doesn’t quite work, we know, but it’s a rule of thumb that mentioning a Tardis can improve anything…] This post is proving quite defective, but before you hurl invective, we will return to our objective, and hail once more–the Henge Collective!

There. Well. That’s done, then. Sort of. Waiting for the applause to fade.

Rufus T. Firefly, a founding member of the Henge Collective tells us:  “Just to let you know, The Henge Collective have been invited to a music festival. They want us to build one for them.” That would be the  Audio Soup Festival, in case you want to stop by.

For more on the Henge Collective and its activities, visit the group at its Facebook group, which, sadly, is much larger than the Clonehenge group! They are based in Scotland, but welcome members from around the world.

In other news, please consider supporting the US Stonehenge Tour Kickstarter. A post on this will follow. Soon. Ish.

Also, if you have been dragged to Great Britain for some kind of sporting event and sport is not your passion so you are considering a visit to Stonehenge, remember the Stonehenge Guide for iPad, written by none other than Mr. Pete Glastonbury, for whom no superlative (or expletive) is sufficient! Few people know Stonehenge and its context and history as well as he does, and his guide gives new perspectives to the old monument. See comment on the previous post for a review.

Sorry it has taken us so long to post. Blame it on the Olympic Committee. It’s bound to be their fault somehow! And to all of our lovely readers, happy henging! (Should henging be an Olympic event? Discuss!)